The Marvels of Marfa: Inde/Jacobs by Claesson Koivisto Rune

Claesson Koivisto Rune’s Deta Koivisto Gemzell appears with Inde outside a window next to the gallery’s anodized aluminum sculptures by Cecilia Vissers. Photography by Åke E:son Lindman.

In Marfa, Texas, the inaugural exhibition at the Inde/Jacobs gallery by Claesson Koivisto Rune Architects included David Hirschi’s Khthon and Caesura in oil on panel and Sequel in oil on canvas. Photography by Åke E:son Lindman.

A sculpture in fired pigment on aluminum, Pard Morrison’s Schneewittchen, stands in the courtyard separating the gallery from the residence of owners Vilis Inde and Tom Jacobs. Photography by Åke E:son Lindman.

Clifford, one of two resident dogs, sleeps on the courtyard’s gravel and concrete. Photography by Åke E:son Lindman.

Ludwig Mies van der Rohe designed the chair in the gallery’s office. Photography by Åke E:son Lindman.

The gallery’s sofa by Le Corbusier, chairs by Massaud, and custom concrete-topped table gather on a leather rug, near a lithograph by Donald Judd. Photography by Åke E:son Lindman.

This Judd is an aquatint. Photography by Åke E:son Lindman.

Sunflowers I, a diptych lithograph by Joan Mitchell, backs Rodolfo Dordoni’s sectional in the living area, while the dining area features Le Corbusier’s table, Vignelli Associates’s chairs, Philippe Starck’s pendant fixture, and an aquatint by Robert Ryman. Photography by Åke E:son Lindman.

In the bedroom, a chair by Danae Falliers faces Nan Goldin’s Cibachromes Siobhan in Our Bed, NYC and Matt and Lewis on the Bed, Cambridge MA. Photography by Åke E:son Lindman.

Presented in an exhibition at New York’s ICFF trade show, custom designs for the Marfa project include a stool in stained ash, a tray in oiled wengé, and a high-voltage LED lamp in anodized aluminum, shown in the gallery and office. Photography by Åke E:son Lindman.

Presented in an exhibition at New York’s ICFF trade show, custom designs for the Marfa project include a stool in stained ash, a tray in oiled wengé, and a high-voltage LED lamp in anodized aluminum, shown in the gallery and office. Photography by Åke E:son Lindman.

Presented in an exhibition at New York’s ICFF trade show, custom designs for the Marfa project include a stool in stained ash, a tray in oiled wengé, and a high-voltage LED lamp in anodized aluminum, shown in the gallery and office. Photography by Åke E:son Lindman.

Judd’s chair accompanies Vissers’s anodized aluminum Time & Tide M in the gallery. Photography by Åke E:son Lindman.

The gallery end of the building faces the street. Photography by Åke E:son Lindman.

LED fixtures are color-changing. Photography by Åke E:son Lindman.

LED fixtures are color-changing. Photography by Åke E:son Lindman.

The exterior’s angled expansion joints allow the stucco to swell and shrink without cracking. Photography by Åke E:son Lindman.

Wall sculptures in fired pigment on aluminum are Mutual Pleasure and Lovesprung by Morrison. Photography by Åke E:son Lindman.

ONLINE EXCLUSIVE. Photography by Åke E:son Lindman.

ONLINE EXCLUSIVE. Photography by Åke E:son Lindman.

ONLINE EXCLUSIVE. Photography by Åke E:son Lindman.

ONLINE EXCLUSIVE. Photography by Åke E:son Lindman.

ONLINE EXCLUSIVE. Photography by Åke E:son Lindman.

ONLINE EXCLUSIVE. Photography by Åke E:son Lindman.

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