A Strong Statement: At Sandow's New York Headquarters

The Sandow logo was CNC-cut into the solid-surfacing of the reception desk at the New York headquarters by Gensler. Photography by Paul Godwin.

Richard Shemtov’s ottomans for the nearby Museum of Modern Art were customized for the reception area. Photography by Paul Godwin.

Stools in a break-out area are inflatable. Photography by Eric Laignel.

Chairs by Charles and Ray Eames fill a conference room. Photography by Paul Godwin.

Reception’s painted drywall canopy and partition introduce the corporate accent color. Photography by Garrett Rowland.

A break-out area’s custom mobile is made of rolled-up covers in plastic tubes. Photography by Garrett Rowland.

Lamps by the Rockwell Group and Centro Stile bookend the leather-covered sofa and a trio of works by Patricia Gaeta in Interior Design editor in chief Cindy Allen’s office. Photography by Garrett Rowland.

Her Arne Jacobsen task chair pulls up to a birch-plywood desk custom-finished in a high-gloss metallic polyurethane. Photography by Eric Laignel.

Time & Life Building photographs by Adrian Wilson became custom wallpaper for the coffee bar. Photography by Garrett Rowland.

Flooring in reception is predominantly urethane. Photography by Paul Godwin.

It’s interrupted by the epoxy path to the elevators. Photography by Garrett Rowland.

The Sandow mission statement. Photography by Paul Godwin.

Reception’s aluminum bench. Photography by Paul Godwin.

Paola Navone’s side table in the editor’s office. Photography by Paul Godwin.

Piero Lissoni and Carlo Tamborini’s office guest chair. Photography by Paul Godwin.

Brushed-aluminum signage in the elevator lobby. Photography by Paul Godwin.

A conference chair’s wool upholstery. Photography by Paul Godwin.

Sandow magazines. Photography by Paul Godwin.

A break-out area’s panels in felt made from recycled PET. Photography by Paul Godwin.

Ben Eine’s spray-painted work on canvas. Photography by Paul Godwin.

Fritz Haller and Paul Schärer’s credenza modules in the office area. Photography by Paul Godwin.

The Alberto Basaglia and Natalia Rota Nodari task lamp at every workstation. Photography by Paul Godwin.

Graphics custom-printed on wallpaper. Photography by Paul Godwin.

The Interior Design library’s Moredesign table and chairs. Photography by Paul Godwin.

The Material ConneXion library displays 2,520 samples. Photography by Garrett Rowland.

CEO Adam Sandow designed the powder-coated steel display system. Photography by Garrett Rowland.

This materials sample is a polyolefin elastomer resin. Photography by Paul Godwin.

Approximately 5,000 samples are stored in the archive vault. Photography by Garrett Rowland.

Designers represented by Culture + Commerce include Yves Behar and Marcel Wanders. Photography by Garrett Rowland.

In the CEO’s office, chairs by Le Corbusier, Pierre Jeanneret, and Charlotte Perriand face a sectional. Photography by Paul Godwin.

In the café, Eames chairs surround lacquered tables. Photography by Paul Godwin.

The CEO’s office also features a mixed-media work by RyCa. Photography by Paul Godwin.

A tubular steel stool in the Material ConneXion library. Photography by Paul Godwin.

Shelving by J.Ruiter in the Interior Design library. Photography by Paul Godwin.

Mixed-media murals were commissioned from Speedy Graphito.  Photography by Paul Godwin.

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