At the Midtown headquarters of an asset-management company, Rottet Studio connected the top two levels with a staircase.
Reinhard Görner’s photograph of a corridor hangs, appropriately, at the endofa corridor.
Chairs by Rodolfo Dordoni and a table by Christian Biecher join a Robert Longo photograph in one of the four reception areas.
Chairs by Monica Förster surround a table by Dordoni in a meeting room with a photograph by Miles Coolidge.
Handrails are bolted to balustrades of low-iron glass.
Paneling in a corridor is rift-cut oak.
Chairs by Charles and Ray Eames line a conference room’s custom table, its top veneered in oak and burl and inset with leather.
Laser cut vinyl film on a partition identifies a conference room.
All reception desks are topped in marble and limestone.
Brushed stainless steel frames onyx panels backlit by fluorescent fixtures.
A flight of stairs descends to a limestone plinth.
Another reception area features Fabien Baron seating and an Antonello Mosca table as well as a photograph by Camille Seaman.
Massimo Scolari's armchairs, a custom mohair-upholstered sofa, and a Biecher table rest on a custom silk and wool rug in a lounge.