When Shanghai developer Figment asked the Ministry of Design to transform a house on the historic Blair Road into a rentable haven for expats, founder and director Colin Seah jumped at the chance, despite the tight timeline and budget.
“When it comes to adaptive reuse projects,” he said in a statement, “the question is always the same: How do we tread the line between the past and the present? Our response was to layer over the existing history with a proverbial blank canvas.”
Blank, but hardly boring: MoD whitewashed almost every inch of the 3,800-square-foot house, including its existing furnishings, but left strategic cutouts to reveal past textures like brick walls and wood floors. “It allowed us to blur the inherent boundaries between the past and present, object and space,” Seah said. And also keep an eye on the future, with a new collaboration with upcycling artist Kang to create three sets of fused-plastic luminaires made of layered and iron cling film, and a custom neon art piece embodying a quote from Thomas Jefferson that feels particularly provocative at the moment: I like the dreams of the future better than the history of the past.