Jouin Manku’s Soaring Public Spaces Anchor the New Celebrity Edge Cruise Ship

PROJECT NAME Celebrity Edge
LOCATION Various
FIRM Jouin Manku

An immense crystalline chandelier in silvery white and champagne gold dominates the ballroom, a luxurious shipboard take on a traditional Italian piazza. In the adjoining atrium, a lustrous brass pendulum hangs down a three-deck stairwell to hover over a large flat astrolabe—a tribute to ancient instruments of ce­lestial navigation. When they first embarked on the project for Celebrity Cruises, Interior Design Hall of Fame member Patrick Jouin and his Jouin Manku partner Sanjit Manku were neophyte seafarers. Jouin, born in Nantes, knew the famous shipyards along France’s Atlantic coast, and his grandfather had been a welder for the Chantiers de l’At­lantique shipyard in Saint-Nazaire, where Celebrity Edge was built, but he had never set foot aboard a cruise. Manku, from Toronto, says he “had practically never even seen one.”

The chandelier drops 23 feet from the Grand Plaza’s ceiling. Photography by Eric Laignel.

Compared to industry behemoths, the 16-deck Celebrity Edge is merely midsize—1,000 feet long and 130 wide, accommodating 2,819 passengers and 1,320 crew—more or less equivalent to a respectable small town floating back and forth from Fort Lauderdale, Florida, to the Caribbean (and, by the end April, around the Mediterranean).

Read More: First Look at Tillberg Design’s Largest Luxury Suite at Sea for Regent Seven Seas Splendor

For the interiors, Celebrity Cruises “sought something innovative, sophisticated, something never yet done on cruise ships,” Manku begins. “Picture windows, not portholes. The brand not only envisioned it as more inventive than ever before but also for it to be the first of a whole new class of ships.”

Derived from physicist Léon Foucault’s 19th-century pendu­lum, the ship’s brass version hangs in the Atrium’s three-story stairwell. Photography by Eric Laignel.

Along with WKK Architects partner Tom Wright and Scott Butler of Wilson Butler Architects, both Celebrity veterans, the cruise line assembled an international team of newcomers. Interior Design Hall of Fame member Patricia Urquiola was asked to do the public areas in the stern, including the three-deck Eden entertainment complex. Kelly Hoppen Interiors was assigned the staterooms and suites. For Jouin Manku, the commission was for a series of high-activity public spaces: the Grand Plaza, the Atrium, a staircase linking the latter to two balcony decks, and adjacent circulation corridors, all of which totals 11,000 square feet.

Read More: Adam D. Tihany to Design Two New Seabourn Expedition Ships

To forge into the future, Jouin and Manku began by going back to basics. “We started thinking about the golden age of ocean liners,” Jouin says, “glamorous, romantic, an amazing adventure.” The nearly 5,000-square-foot Grand Plaza is a cruise equivalent of the grand ballroom on such leg­endary liners as Cunard’s RMS Queen Mary and the French SS Normandie. “The question was,” Manku recalls, “How do we get back to that idea of joy and fun?” One answer was employing “natural, eternal, real materials,” he says: wood, plaster, metal, stone, fabric, leather, and glass. The palette is restrained and luxurious, with beige, brown, cream, white, silver, and gold.

Acrylic rods surround an inner dome in the chandelier of the ship’s Grand Plaza. Photography by Eric Laignel.

From the floor of Deck 3, the central section of the Grand Plaza is open to the ceiling of Deck 5, the space rimmed by two balcony decks with three restaurants, a café, and a casino. Down the middle, the ship’s structural steel columns remain in place, undisguised and painted white.

The Grand Plaza is open all day and into the night; it’s used as a passageway, a meeting spot, and a bar/lounge, essentially a social hub where coffee and cocktail hours merge. Furnishings—lamps, marble-top tables, chairs, and banquettes—are custom throughout. A circular bar straddles two slightly different floor levels, one side using chairs, the other barstools. A round bar is not as practical as a straight one, Manku notes, “but it allows people to see each other and encourages communication.”

The painted aluminum links of custom screens frame polyester and leather panels throughout. Photography by Eric Laignel.

The LED-fueled acrylic glass rods forming the room’s enormous chandelier cascade down from the ceiling to converge just above the bar. “If the bar is the ground, the chandelier is a cloud, and between them we hope there will be some lightning,” Jouin says with a grin. “In the daytime, the chandelier is a beautiful sculpture,” Manku adds, but at night, “it goes crazy,” coming alive like a celestial organ whirling out silent crescendos of dancing light.

Read More: 10 Questions With... Adam Tihany

Behind the ballroom, the staircase in the 5,000-square-foot Atrium zigzags up to balconies containing the ship’s general dining spaces. A version of French physicist Léon Foucault’s pendulum hangs down from the Deck 5 ceiling to Deck 3’s floor, where its brass bob meets a large astrolabe set flat on a brass base. Foucault’s original 1851 pendulum was the first scientific experiment to provide clear evidence of the earth’s rotation. The Edge’s pendulum is not an exact copy—the original weight was a ball, not a cone, and it swung over a circular bed of sand. The replica here is meant to remind 21st-century cruise-farers that they too are plying the open seas, where for millennia navigation depended on astrolabes, quadrants, sextants, and stars. As for Jouin and Manku, seduced by the sirens of the sea, they are already working on the Apex, Celebrity’s next ship.

Keep scrolling to see more images from the project > 

The flexible screens hang on wires that are also aluminum. Photography by Eric Laignel.
Internal color-changing LEDs illuminate the chandelier’s rods. Photography by Eric Laignel.
Structural steel walls with hand-scrawled construction notes are left exposed between polyester panels along inner deck corridors. Photography by Eric Laignel.
A custom screen hangs behind the Atrium’s ipe staircase. Photography by Eric Laignel.
Two balcony decks with three restaurants, a café, and a casino encircle the Grand Plaza. Photography by Eric Laignel.
A statue in the Atrium is by Sophie DeFrancesca. Photography by Eric Laignel.
The chandelier’s dome is gilded. Photography by Eric Laignel.
Wall covering is polyester, and furniture is custom. Photography by Eric Laignel.
A brushed-brass astrolabe table anchors the pendulum. Photography by Eric Laignel.

Project Team: Patrick Jouin; Sanjit Manku; Charlotte Cardaire; Bruno Pimpa­nini; Ken Tchikaya; Vincent Cuzin; Arnaud De Palange; Axel Mak; Eloïse Allonville; Olivier Evrard; Cécile Voyron; Juliette Logereau: Jouin Manku. Chantiers de l’Atlan­tique: Architect of Record. L’observa­toire International: Lighting Consul­tant. Peter Millard & Partners: Art Con­sul­tant. Decon: Atrium, Circulation Contractor. Tino Sana: Grand Plaza Contractor. Studio MTX: Grand Plaza Screens Designer.

Product Sources: Kalmar Lighting: Cus­tom Chandelier (Grand Plaza). Studio MTX: Custom Screens. Moore & Giles: Panel Leather. Kova Textiles: Metal­lic Panel Leather. Ludvig Svensson: Panel Fabric. Vescom: Transparent Panel Fabric. Kvadrat; Rohi: Panel Fabric (Hall).

Want more? Take a first look at Tillberg Design’s Largest Luxury Suite at Sea for Regent Seven Seas Splendor.

Share
Tweet
Email
Pin