Interior Design

Posted: 08/01/2011

A hallway separates the pantry in the garage from Tokyo, an oil on canvas by Wilhelm Sasnal. Photography: Art Gray.

A hallway separates the pantry in the garage from Tokyo, an oil on canvas by Wilhelm Sasnal. Photography: Art Gray.

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From the Magazine:
Mark Rios cast opposites in starring roles at Act 4 Entertainment, Los Angeles.
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For the front garden at Act 4 Entertainment in Los Angeles, Rios Clem- enti Hale Studios planted zinnias, celosias, petunias, and lobelias. Photography: Art Gray.

Gardar Eide Einarsson’s Fear, an acrylic on canvas, hangs in the kitchen. Photography: Art Gray.

The acrylics on canvas of Dave Muller’s The New York Times Sunday, October 2, 2005 Arts & Leisure Star join an ink drawing with foil, Monica Bonvi- cini’s Malcontent, in the garage’s office area. Photography: Dominique Vorillon.

irgir Andrésson’s Black and White Classics, The End, in oil on canvas, is mounted by the stairs up to the founder’s office. Photography: Art Gray.

The house dates to the 1880’s. Photography: Art Gray.

On the garage, satin-vinyl letters compose Lawrence Wiener’s All the Above. Photography: Art Gray.

Josh Smith’s mixed-media work overlooks chairs by Charles and Ray Eames and a table by Oscar and Gabriele Buratti in the conference room. Photography: Art Gray.

The founder’s office features a sofa by Antonio Citterio, a chair by Arne Jacobsen, and a table by Ricardo Bello Dias. Photography: Art Gray.

Composition Suite, three ink drawings by Paul Sietsema, and Untitled (Target Areas), four ink-jet prints by Einarsson, are installed by the desk in the founder’s office. Photography: Art Gray.

A hallway separates the pantry in the garage from Tokyo, an oil on canvas by Wilhelm Sasnal. Photography: Art Gray.

Mae West, Philippe Decrauzat’s acrylic on canvas, in an office. Photography: Art Gray.

An oil and acrylic on canvas by Blake Rayne. Photography: Art Gray.

Tables by Marc Thorpe in the entry. Photography: Art Gray.

Richard Schultz furniture on the courtyard’s Carrara marble plinth. Photography: Art Gray.

Karl Haendel’s 4th Abstract Group of C-prints and pencil drawings. Photography: Art Gray.

In-Coherent Extensive Diagrams Perturbations, Loris Cecchini’s sculpture of plastic orbs and aluminum chairs suspended on steel wire in the garage. Photography: Art Gray.

Sterling Ruby’s SP20, an acrylic on canvas, in the lounge. Photography: Dominique Vorillon.

An office’s mixed-media Seditionaries No. 7 by Michael Wilkinson. Photography: Art Gray.

A Rirkrit Tiravanija mirror piece in a bathroom. Photography: Art Gray.

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