ontroversy is common when it comes to building almost anything
in Paris. It’s not only the contentious nature of Parisians, and not always just conservative naysayers trying to block progress and keep Paris a ville-musée
. Enough dreadful errors have blighted the city’s vaunted beauty—the Tour Montparnasse
and the Forum des Halles
usually top the list—that citizens of all persuasions often jump into the fray at the mention of any new construction. So what’s newest often crops up on the outskirts, in the outer arrondissements from the 15th to the 20th, or in the near suburbs just beyond the periphérique, the ring road that defines the city limits.
Top projects in current dispute: Jean Nouvel’s Philharmonic Hall, with its huge budget overrun; the seemingly endless conundrum of Les Halles, where plans to replace the disastrous 1979 Forum complex that replaced Baltard’s 1850s market pavilions have remained a billion-dollar political and judicial hot potato for more than a decade; and several proposed skyscrapers, including Herzog & de Meuron
’s massive, 650-foot-tall glass Triangle at the Porte de Versailles.