New Products - Furniture

Abound system with Fabric Tile in Twilight Crème, Plains Tiles in Frost, SecureFit Tiles and trim in Muslin, and work surfaces in Whitestone laminate by Hon Company. 800-533-8230; hon.com. circle 515

A picture is worth a thousand words but this one writes an Essay. The solid wood table comes in four sizes and can be extended with black linoleum leaves. Use it for dining or work in oak, ash, walnut, or black ash. 212-219-3226; fritzhansen.com. circle 540

A 1960 classic, this Petal never withers. Eight panels rendered in natural teak, lacquer-finished bamboo, or white polyurethane form the top, while the seven-prong base is constructed of powdercoated aluminum. Petal comes in dining, coffee, and end table sizes, with five different base finish colors. 215-679-2222; richardschultz.com. circle 160

Russo guest chairs in Honey maple finish with polyester in Carbon and Amber by Paoli Furniture. 800-457-7415; paoli.com. circle 368

Aaron sofa with walnut frame in medium ceruse finish and Mohair worsted wool in Russet by Bright Chair Company. 888-524-5997; brightchair.com. circle 321

4foldlow table in glass with steel base in black by Formtank. 44-207-284-1063; formtank.com. circle 480

Who knew that math could look so appealing? The parametric equation known as the spirograph inspires the pattern engraved into the Spiro chair. With aluminum legs, the chair's Corian seat shell is milled flat and heat-formed, and is offered in 10 colors, including Grape Green. 310-699-8333; aprro.com. circle 176

1911 upholstered bed in Cocoa-finished American white ash with linen-rayon-cotton in Natural Beige by Harden Furniture. 315-245-1000; harden.com. circle 499

2423 Lounge chair in polished stainless steel, maple finished in Latte MP-24, and vinyl in Pearl by Cumberland Furniture. 800-401-7877; cumberlandfurniture.com. circle 372

If Chicago will not come to Missoula, Missoula must come to Chicago. Designer Ty Best and his business partner, onetime banker Brad Rowley, are both from Montana, but their company, Caste, has its showroom 1,300 miles east of there. "Ty's inspiration is consistently drawn from natural landscapes, so intensely present in Montana," Rowley says. 

The correlation is most palpable in this season's deliberate emphasis on wood grains, smartly updated with bleached and cerused finishes. That through-line connects the white-oak lounge chair, the wengé bar cabinet, and a console that combines wengé with ebonized white oak. Steel accompanies the blackened walnut of a cocktail table, the ebony of a side table, and the leather and blackened walnut of a bench. Things take a more figurative turn with stalagmite sculptures in mahogany and a female bust that was carved from birch, torched, and covered with tree resin.

Currently on view at Caste, in a new exhibition program, is work by Michelle Litvin, whose photography often appears in this magazine and whose sculptures of knitted mohair and wool, stainless steel, and solid silver are now on display. 312-432-0717; castedesign.us. circle 402

He's a youngster by Oscar Neimeyer's standards, but Sergio Rodrigues just turned 82. A mere 28 years old when he started manufacturing his own furniture under the name Oca, which means shelter, he's now considered the father of Brazilian furniture—both by his fellow countrymen and by a faction of enlightened enthusiasts worldwide. After selling vintage Rodrigues pieces for years, the New York gallery Espasso is producing a chair and four lamps, shown off at a birthday celebration hosted by Espasso president Carlos Junqueira.

Leather-upholstered Chifruda, with its flamboyant headrest sweeping 41 inches wide, was designed in 1962. The armchair was never produced, however, save for a lost prototype in jacaranda—a wood that has now been swapped out for a choice of two Brazilian hardwoods.

Three of the lamps likewise hail from '62. Sérgio Augusto, a tripod floor lamp 71 inches high, rolls on castors; the table lamps are Tcheco, with its linear base, and cyclindrical J. Hirth, named for his first business partner. His wife's nickname, Xibô, now graces a 2004 table lamp with a round hole in the rectangular base. All four fixtures pair chromed steel with a choice of two indigenous hardwoods and are topped by hemp shades and a spherical finial. 212-219-0017; espasso.com. circle 407

What's the hallmark of timelessness? The ability to assimilate. Confident enough to work well with Thomas Chippendale and Florence Knoll alike, Datesweiser 's Highline conference furniture is what Allan Weiser describes as "very clean and neutral."

Wraparound legs support the cabinet of a credenza offered in three materials—walnut, oak, or white lacquer—and three versions as determined by the number of center storage levels: 1 High, 2 High, and 3 High, all at a choice of 87 or 99 inches wide. (With the double and triple models, the open shelf holds leather-covered or lacquered accessory boxes.) The conference table has a 10-foot-long top of marble, back-painted glass, anigre, oak, walnut, or solid surfacing, all configured to conceal technology essentials. Those same materials top the square and round meeting tables, which measure 48 inches across.

All metal components may be specified in polished chrome, oil-rubbed bronze, or satin nickel. Wood stains come in natural, medium, and dark. 212-727-8555; datesweiser.com. circle 406

Interior designer, product designer, retailer. William Emmerson is a triple threat. But since launching his Ab Ova indoor-outdoor wooden seating, tables, and screen for Emmerson Troop, the British-born Angeleno has been concentrating on limited-edition furnishings. Futuristic silhouettes, which distinguish his first trio for Ralph Pucci International, reveal his philosophy that design "must work with the flow of life."

His space-age Spheriod, a 6-foot-high revolving seat that he calls a "microcosm of protection," is rotation-molded from recycled polyethylene, with a seat upholstered with Italian leather or fabric. The two other designs are vacuum-pressed plywood, lacquered in a choice of three standard colors. Slope, a 56-inch-long cocktail table, has a top that slopes up 3 ½ inches at either end. And the Ripple chaise longue is a "study in undulation," he says. "The lines finish in space, but the thought continues like a wave." Bar steel supports the cantilevered form. 212-633-0452; ralphpucci.net. circle 404

They may mingle well at parties. But can designers of furniture, graphics, and fabrics get along in the studio?

Such was the challenge faced by TZ Design principal Mark Goetz, visual communications-design consultant May Liu, and the Momentum Textiles team as they collaborated on Reflect upholstery. Liu previously created TZ Design's Web site, so a working relationship had been established. She and Goetz now seized on the energy of spatial relationships to come up with three textile patterns.

Momentum translated them into spun versions of its Eco-Intelligent polyester, which boasts Cradle to Cradle Gold certification. Shapes like abstracted chessmen seem to dance their way across Gesture, produced at 55 inches wide in eight colorways. The two 57-inch patterns are X-Factor, marking the spot in six colorways, and Matter, boasting chains of open ovals in five colorways.

To show the fabrics off, Goetz promptly returned to his furniture forte by designing a lounge chair, a bench, and an ottoman for Geiger International. Frames are powder-coated, laser-cut steel, with the bench adding walnut veneer to the mix. 800-366-6839; memosamples.com. circle 408 800-444-8812; hmgeiger.com. circle 409

Is cardboard the new black? Kraft Bank is certainly fashionable enough to make a case for it. Comprised of only cardboard and glue, the piece is of eco-conscious crafting and design—Tótora likens the "primitive" color to that of bark, stone, and earth. The bench measures nearly 71 by 20 by 16½ inches. 35-9134-1997; domingostotora.com.br. circle 726

Symi armchair in solid walnut and rawhide by Casamidy. circle 430

Taking in an art fair in Dakar, Senegal, designer Tord Boontje and Moroso art director Patrizia Moroso were mesmerized by furniture made with tightly woven nylon fishing net. Later, at the Salone Internazionale del Mobile in Milan, Boontje borrowed Senegalese techniques for his Shadowy outdoor furniture for Moroso. That line gave just a hint of what would follow at this year's Moroso booth: M'Afrique is a multilayered, cross-cultural contemplation, a showcase, Moroso says, for the "creativity of great artists and exponents of contemporary Africa."
Patricia Urquiola, Philippe Bestenheider, and Stephen Burks all made furniture contributions. At the heart of the installation, however, were designs inspired by the indigenous seating that first stoked Boontje and Moroso's passion. Much evolved from a serendipitous meeting with Birsel + Seck partners Ayse Birsel and Bibi Seck, recently back in New York after two years in Dakar. Birsel's sketchbook became the basis for seven pieces, and Seck returned to Dakar to oversee craftspeople as they twisted and welded tubes of galvanized steel together, then wove them with nylon thread. The hammocklike Madame Dakar bench takes a wide stance on four legs, while the Gaal daybed is a study in structural deconstruction. The frames of Nopolou and Bayekou integrate rockers, but Bourguiba's rocker base capsule is painted with graphics adapted from indigenous decoration or present-day transit signage—an apt metaphor for a series born of journeying. 39-0432-577111; moroso.it. circle 421

Tartan chair in chromed steel and woven leather lace in coffee by Frag. circle 435

Venue modular seating with powder-coated steel legs in silver, synthetic fabric back in Havana and seat in Madura by Connection. circle 425

Saigon mirror framed in aluminum and internally lit with compact fluorescent bulbs by Sonia. circle 452.  Play Color vanity in glass satin-lacquered in blackberry by Sonia. circle 453