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Capsules of Taste: Robert Mapplethorpe Collection at Auction
Ever since I worked at the auction house Christies, I have been collecting auction catalogs of important "single owner" sales as records of taste. I see them as capsules of a particular collector's or tastemaker's discerning eye. And, they serve as a unique way to see their world and sample their individual points of view.
Hence, over the years I have saved the catalogues from many important sales: Mrs. Charles Wrightsman's house in Palm Beach, decorated by Stefan Boudin in 1984; the Duke and Duchess of Windsor sale in 1997; Mr. and Mrs. Jack Warner of Warner Brothers frame, 1990; the Steinberg Collection filled with impeccable objects in a Mark Hampton setting, 2000; and for contrast, the Robert Mapplethorpe Collection, sold on Halloween in 1989.
This weekend I looked at the Mapplethorpe sale. It is mostly filled with the remarkable photographs he collected, all taken by others. Some of these are by well known artists and others lesser known, but all are interesting for their influence on his work. However, it is his decorative objects that I found most remarkable today. Like his art, he was ahead of his time. Objects that at the time were unusual to collect are today part of the accepted general taste. For example, he was interested in sculls, African art, Rose Cabat pottery, Stickley furniture, and Venini glass (the catalogue is illustrated with many of his dramatic flower photos where the glass and ceramic pieces were frequently used).


He even designed furniture on his own: a white laminate coffee table made in limited edition is part of the sale.
Rarely do we get to visit the variety of private collections that are sold. These catalogues are the rare windows into them.



Images all taken from Christies sale catalogue for Mapplethorpe sale, October 31, 1989. From top: Robert Mapplethorpe's living room in New York; a collection of skulls and other metal sculptures; white laminate and glass coffee table by Robert Mapplethorpe; amphora decorated by Keith Haring; collection of ceramics by Berndt Friberg for Gustavsberg; walnut music stand, artist unknown; walnut stool by K. Thomsen; Venini glass.
Katness commented:
that there will be, but it is not yet available. You can cotanct them at communications at juilliard dot edu. I read a comment on some random blog ealier today that I wanted to rebut before it even gets mentioned here. A liberal blogger was responding to the ' coverage of the speech, saying how terrible it was that Scalia was saying that government had a first amendment right to censor art (those weren't his exact words; he wasn't so polite). This seemed to me to be not only absurd on its face, but a complete misrepresentation of what Nino actually said. As I understood it, what Scalia was saying that if the government is going to give money to artists, it has no more or less discretion as to which art or artists that it chooses to fund than a private organization or fund which chooses to do the same. And I think he also made the point that government really shouldn't regulate art, and because having government funding permits (and, in fact, requires) it to do exactly that, means that government should get out of that business. I realize no one's brought this up here yet, but I'm being pre-emptive.Of course, it's hard to tell exactly what Scalia was saying in the absence of a full transcript, and given that the NY Times is not exactly going to be a reliable and even-handed coverage of the Justice its editorial page has just spent two months wringing its hands in the hopes that John Roberts will not resemble. "Is the deck loaded? You bet."One last thing, just because a lot of folks have raised it in the comments (including our gracious host, for that matter). It's true that Our Hero is a balding, slightly overweight, Italian-American heading into his 70s; not exactly Adonis, I'll grant you. But then, neither is Michael Moore, neither is Bill Clinton, and I can't think of any of the Democrats current cheerleaders who is. If your pin-up is Howard Dean, either you have a thing for middle-American hockey dads, or you need to ajust your prescription. ;) Granted, I'm in a minority of one insofar as I think that Hillary Clinton has actually become very attractive in middle age, but I doubt that it's her looks that make Democrats willing to forgive her for anything.
joan commented:
Larry and I were just talking about this sale last week! I was inspired by his collection...
irving eames commented:
Sometimes when I see more Venini glass I just want to break it. There is just so much of it. Then I see some new variation, such as these red and black bottles and the attraction continues.





















