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Chinese Wallpaper and Contemporary Usage

March 30, 2010

I learned recently from Margaret Pritchard, Colonial Williamsburg’s curator of prints, maps, and wallpaper, that Chinese-painted papers were so rare and expensive in the 18th and early 19th centuries that they were only used in small, intimate rooms.

Hence, she feels unsettled when she sees the papers used in grand rooms such as the Chinese Parlor at Winterthur and countless large houses and hotels across America.

 

I trust her taste and her great knowledge of history. I also see her point that it can be vulgar to use valuable materials in an ostentatious way. Her remarks made me ponder our use of Chinese papers over the years.

To my eyes, these designs with their upright vines and trees look remarkably beautiful in stair halls. I like the way they grow up the stairs and how the overall quality of the pattern visually unifies all the architectural parts of a stair hall: stairs, moldings, multiple doors, and windows.

 

They can look great in dining rooms, especially with the right architecture. We once installed an antique set of Chinese paper into plaster panels designed by Peter Pennoyer Architects for a New York townhouse.

It is luxurious to use these papers in bedrooms. In an old New England house we used a Chinese paper in the best bed chamber. Because of the intimacy of the room and the beauty of the paper, I think Margaret would approve.

Images from top: fragment of Chinese wallpaper from the mid 18th century; a lemur appearing in the paper from the Chinese drawing room at Abbotsford in Scotland, c. 1824; Chinese Parlor at Winterthur Museum, Delaware; entry hall of White Hall Plantation, photo by Pieter Estersohn; dining room from a New York townhouse; bedroom in a New England house by Jonathan Wallen

Posted by Thomas Jayne on March 30, 2010 | Comments (5)
Industries: Wallcoverings

October 8, 2010
In response to: Chinese Wallpaper and Contemporary Usage
Stephen commented:

You will enjoy the classical chinoiserie wallpaper on chinese-wallpaper.com!


October 8, 2010
In response to: Chinese Wallpaper and Contemporary Usage
Larry commented:

I have ordered the Chinese wallpaper from a NSR HANDCRAFTS for my dinning room, perfect!


March 31, 2010
In response to: Chinese Wallpaper and Contemporary Usage
vivien handerstrand commented:

i am at a loss to see how these most remarkably beautiful renderings can be considered anything but tasteful and a joy to behold when melding nicely with their surroundings - either cozy or grand. as mr. jayne's once again illustrates: opinions of taste are often in the eye of the beholder and then justified or reprimanded as convenient. vulgarity is a word better cosseted for other conversations than the delicate papers illustrated.


March 31, 2010
In response to: Chinese Wallpaper and Contemporary Usage
Sally Legowne commented:

Wow... not sure I understand where Mr. or Ms. Sobotta is coming from here. Rather than suggesting that the DuPont rooms are vulgar; I think Jayne's point is that care must be taken in the employment of sumptuous materials. Certainly there's been no more noteworthy student of DuPont's history than Thomas Jayne, a Winterthur graduate who has championed DuPont's inclusion as one of the most gifted of American decorators. But then I suppose blogs attract this kind of anonymous sniping; perhaps there is no such thing as bad publicity!


March 31, 2010
In response to: Chinese Wallpaper and Contemporary Usage
Sobotta commented:

Why would the Chinese have made hand-painted papers in sets demanding large rooms to accommodate all the panels in the set - rooms like the Chinese Parlor at Winterthur? I think you are applying your 21st century decorator's eye to an 18th century product and style. You would like to claim you are supported by historical accuracy, but clearly, this cannot be true. I find it offensive that you refer to Mr. duPont's rooms at Winterthur as "vulgar." I wonder if Margaret Pritchard is really ready to jump on your "decorating bandwagon?"

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