10 Questions With... Mike Lim of DP Design
As director of the Singapore-based interior design firm DP Design, ...
Design Miami Preview: 20 Must-Sees
As it grows up, Design Miami is actually getting younger, ...
52 Outstanding Outdoor Furnishings
From varnished aluminum loungers and stainless steel ice machines to ...
7 Seats Using Minimal Natural Materials
Minimal natural materials pack a punch.   1. River and ...
10 Questions With... Alex Michaelis
  From its humble beginnings in a converted loft, Alex ...




Weekly Poll
Designers: do you use Periscope and/or Meerkat?

    Calendar Upcoming Events
    Dec 02
    Toronto, Canada

    IIDA Leaders Breakfast Toronto 2015

    Dec 02
    New York, NY, United States

    Interior Design Hall of Fame Awards Gala

    Dec 03
    Miami Beach, FL

    NADA (New Art Dealers Alliance) Miami Beach

    Dec 03
    New York, NY, United States

    Interior Design's 10th Annual Best of Year Awards

    Dec 03
    Miami, FL, United States

    Paola Lenti at Luminaire Lab

    Close Search by date

    or See All Upcoming Events


    Late Bloomer: Gilbert Garcin Exhibition

    At age 65, Gilbert Garcin was near retiring as the manager of a lamp-manufacturing plant in Marseilles, France. After taking a workshop at the 1997 French festival Les Rencontres d’Arles, he did give up his job. But only to embark on a whole new career: surrealist photographer.
    Now 83, the Frenchman is having his second stateside show: “Damion Berger/Gilbert Garcin” at Lisa Sette Gallery in Scottsdale, Arizona, February 7 to March 2. The show’s 12 new and old black-and-white works possess a magical quality. At the center of each fairytalelike image is Garcin himself, or “Mister G” as some have called the tall, trench coat–clad figure standing beneath a towering dandelion, sitting inside a sea urchin shell, or dangling from puppet strings.
    Surprisingly, Garcin does not use Photoshop; instead, the out-of-scale images are made using simple cut and paste. Garcin first poses for a self-portrait, cuts out the resulting image, places it in a setting handmade from such materials as cardboard and string, and photographs it again.

    Gilbert Garcin’s gelatin silver print Lorsque le Vent Viendra (When the Wind Will Come) comes to Lisa Sette Gallery in Scottsdale, Arizona, on February 7.