site_header_zone


 
Trending
Caesarstone Names Winners of #ThisIsCaesarstone Contest
  Caesarstone, the innovative manufacturer of quality quartz surfaces for ...
Flora and Fauna Dominate at Deco Off
  Temperatures hovered around freezing, but indoors nature was in ...
Moooi Co-Founders Complete Buyback From B&B Italia
From left: Casper Vissers and Marcel Wanders. Photos by Rob ...
Neri & Hu's "Das Haus" Turns Heads at IMM Cologne 2015
Buttoned-up and serious on the outside, cozy on the inside. ...
Trends and Highlights at Heimtextil 2015
Attracting no less than 2,759 exhibitors, Germany's massive 2015 Heimtextil ...

JOB ZONE

jobseekers:

employers:

 
Weekly Poll
Where is the greatest growth potential for healthcare design in the next 2 years?

    industry_article_detail_left_zone

    Milton Glaser On His Graphic Rugs for Nanimarquina

    Nani Marquina in front of graphic-design legend Milton Glaser's rug for Nanimarquina.

    Nani Marquina—who directs Nanimarquina, best known for its rug and textile collaborations with contemporary design luminaries—has teamed up with graphic-design legend Milton Glaser to translate his work into a series of hand-tufted, wool rugs.

    The recently launched collection comes in two styles. One is based on a print that Glaser (at left) created for his book In Search of the Miraculous, for which he merged two existing and seemingly disparate works: a pattern he designed based on an African textile and, improbably, a portrait of William Shakespeare that Glaser sketched with pencil. The second style of rug captures the playwright's visage and renders the same African pattern in monochrome, with the lines defined by shearing the rug’s pile at two different heights.

     

    Harmonizing an African-derived motif with Shakespeare was intended illustrate that “there’s a way of establishing a relationship between any two things, even though they seem to be unrelated,” Glaser explains. “Essentially, everything in the universe is connected. Part of life is discovering the connection." The rugs, he says, are a physical representation of that idea.

     

    Because the rugs are woven using a the hand-knotting technique, Glaser’s print had to be simplified so it could be rendered using only four colors of wool thread. It took two years and five prototypes, according to Marquina, to arrive at a design in which Shakespeare’s image would appear neither too prominently in the foreground nor be so subtle as to get lost in the background. The final product, which is made by a team of artisans near Benares, India, takes about 90 days to weave.

    industry_article_detail_central_zone