Advertisement
Continue to Site »

site_header_zone


 
Trending
Interior Design's 2014 Rising Giants 1-100
A steady recovery from the Great Recession has been tracked ...
Mies Crown Hall Americas Prize Names Seven Finalists
Seattle Central Library by OMA/LMN. Photo courtesy of the Seattle ...
Tandus Centiva and Suzanne Tick Support Publicolor
Suzanne Tick. Flooring specialists Tandus Centiva and textile designer Suzanne ...
Thomas O’Brien Partners With Century Furniture
Photography by Jason Penney. If you think “vintage forms translated ...
1950's Throwbacks: 5 Outdoor Furnishings Look to the Past
  Nobody created outdoor living spaces quite like the architects ...

JOB ZONE

jobseekers:

employers:

 
Weekly Poll
What you think of our new Projects page at interiordesign.net/projects?

    industry_article_detail_left_zone

    Fighting Contemporary Crises with Modernism

    Building for the Emprezaz Graficas O Cruzeiro by Oscar Niemeyer, 1949. Photo by Pat McElnea/Courtesy The Irwin S. Chanin School of Architecture Archive of The Cooper Union.

    The problems and challenges facing contemporary designers and architects are targeted in “Lessons From Modernism: Environmental Design Considerations in 20th-Century Architecture, 1925-1970”, an exhibit opening today at the Cooper Union in New York and running until March 16. The exhibit's reflection on past solutions could not come at a better time: Whether it is the news of yet another massive weather disaster, an article about strained energy sources, or a headline about the burgeoning world population, the need for change in our day-to-day living is undeniable.

    Housing at Sunila Pulp Mill by Alvar Aalto, 1936. Photo by Pat McElnea/Courtesy The Irwin S. Chanin School of Architecture Archive of The Cooper Union.

    For the show, the Cooper Union's Arthur A. Houghton Jr. Gallery displays 25 modernist buildings by the likes of Le Corbusier, Jean Prouvé and Oscar Niemeyer, each represented by new 3-D models and analytical drawings and renderings illustrating elements of sustainable design. Though built before the existence of organizations such as the U.S. Green Building Council or the Environmental Protection Agency, the buildings are analyzed within the contexts of site and sustainability.

    Cocoon House by Paul Rudolph with Ralph Twitchell, 1951. Photo by Pat McElnea/Courtesy The Irwin S. Chanin School of Architecture Archive of The Cooper Union.

    Each featured project was passionately researched and debated by a panel of Cooper Union students, faculty and alumni, overseen by the exhibit's curator, Kevin Bone, FAIA. Bone—principal of Bone Levine Architects, professor of architecture, and director of Cooper Union’s Institute for Sustainable Design—believes in  “architectural adaptations” according to location in order to achieve greater sustainability. Watching his young urbanized students, Bone says, “We have almost no connection to nature, the cycles of nature, and the environment. We have to rediscover the importance of a building’s connection to site and climate.”

    A highlight of the exhibit will be the 2013 Eleanore Pettersen lecture given by award-winning British architect Sarah Wigglesworth of Sarah Wigglesworth Architecture at Cooper Union’s Great Hall on Thursday, February 28 at 7 p.m.

    Open Air School by Johannes Duiker, 1928-30. Photo by Pat McElnea/Courtesy The Irwin S. Chanin School of Architecture Archive of The Cooper Union.

    industry_article_detail_central_zone