Subscribe to Interior Design
Comment
RSS
Reprints/License
Print
Email

Share this on
Facebook
LinkedIn
Twitter

A star is born

Edie Cohen -- Interior Design, 4/1/2003 12:00:00 AM

In an era of rampant logo-mania, big-ticket productions, and fashion studios owned by conglomerates, Peter Cohen has a subversive streak. His relaxed apparel sports a discreet gold star instead of a namesake label, and he's remained independent for 20 years, operating from Los Angeles rather than New York, Paris, or Milan. "Clothes are just a trigger to get to your best self," he says. "Provenance doesn't matter."

For years, Cohen was content without a flagship, opting to offer his clothing through 50 points of sale nationwide. Then he discovered a 1930s bungalow nestled amid a semisecret garden in the Miracle Mile district. For Cohen, one of the site's best assets is its privacy. "Set back from cars and pedestrians, it still feels like a house," he says. "People don't live in mirror-and-chrome stores. A homier environment makes customers more comfortable."

To effect the subtle transition from home to homelike boutique, Cohen enlisted Rosemary Peck Interiors. A designer who had traded New York for L.A., Peck was a fashion-interiors neophyte but a longtime Cohen devotee, her favorite black leather shirt-jacket attesting to the fact.

Peck's work complete, the 1,900-square-foot shop opens through French doors. Beyond a square foyer are three rooms that owe their stylish yet personal appeal to the two designers' use of color and choice of unique objects and artwork. "I deal with a customer who's interested in a range of aesthetics broader than fashion," says Cohen.

The main room, where day wear is displayed, retains its residential character, thanks to the vaulted ceiling and original travertine fireplace. By the fireplace stands a leather-covered custom bench; in the center of the existing honey-colored floor is a cream leather-upholstered custom borne. A 6-foot-long stained-maple cash-wrap desk designed by Peck provides balance and visual punch. Behind the desk, a Hans Sandgren Jakobsen–designed Viper screen, made of anodized aluminum tubes, partially shades the wide rear window. Coves emit a rose-tinted glow.

Adjoining a patio, where a fiberglass chaise longue and a vintage perforated-metal mannequin beckon, the front room is enclosed in frosted glass. Both this room, for suits and sportswear, and the main one have walls painted chartreuse. A color favorite in the fashion world, chartreuse is generally too intense to use in large amounts for interiors. Here, it's diluted by sunlight to become a spirited accessory for Cohen's clean-lined garments.

Color calms down in the back room, where customers find evening wear. The compact, low-ceilinged space is painted cream and amplified with mirrors. A playful 1960s vibe emanates from the Cohen-designed faux-suede fringe shades surrounding each of the wood-paneled ceiling's recessed lights. In the shop's two dressing rooms, Peck placed 1960s Fornasetti fiberglass chairs originally designed for a Miami Beach gelateria.

Throughout the shop, contemporary artwork explores color and light. Almost all the pieces are by Maxwell Hendler, an L.A. artist represented by the Patricia Faure Gallery. Faure herself is another regular at the house of Cohen.

Clockwise from top: In the foyer of Peter Cohen's Los Angeles shop, mannequins flank Craig Kauffman's Untitled Bubble, a work in acrylic lacquer and blown-acrylic plaster. Maxwell Hendler's resin-on-wood piece adorns the original travertine fireplace in the main room; a custom leather-covered bench stands in front. Flowers and foliage soften the antique wrought-iron entrance gate.

Clockwise from top left: Faux-suede fringe surrounds the recessed lights in the back room; dressing rooms are beyond. A glass-shelved niche outside the front room displays a leather-covered pillow bearing Cohen's gold star. In the main room, the leather-upholstered borne and stained-maple cash-wrap desk contrast in line and color; behind the desk stands an anodized-aluminum screen by Hans Sandgren Jakobsen.

Mannequins (foyer), stool (dressing room): Patina-V. Custom bench (main room): Tony Tristan Custom Upholstery. Custom borne (main room): Interiors Custom Upholstery. Screen: Fritz Hansen. Chandelier: Dispela Antiques.

Comment
RSS
Reprints/License
Print
Email

Share this on
Facebook
LinkedIn
Twitter

Talkback
Related Content
»MORE

Advertisement
More Content
  • Photos

On the Phone

From the Magazine:
Gensler dialed up bright color for Nokia in Silicon Valley--and the IIDA answered with an award.
+ Read the Article

Just for Kids

From the Magazine:
Two schools in the southern German town of Tuttlingen share this student center, one of the few that's both freestanding and purpose-built.
Firm: Heinisch Lembach Huber Architekten
Site: Tuttlingen, Germany
+ Read the Article

A Cinematic Moment

From the Magazine:
In Vila do Conde, Portugal, a mansion from the 1500's now houses the Saint Roch Solar Gallery cultural center, as well as a dormitory for the Superior School of Industrial Studies and Managment.
+ Read the Article

19 days
facebook
about us   |   Site Map   |   contact us   |   Industry Links   |   Subscriber Services   |   editorial calendar & submissions   |   RSS   |   media kit
© 2012 Sandow Media LLC.All rights reserved.
Use of this website is subject to its Terms of Use | Privacy Policy