ADVERTISEMENT
You will be redirected to your destination in 15 seconds.
Subscribe to Interior Design
Comment
RSS
Reprints/License
Print
Email

Share this on
Facebook
LinkedIn
Twitter

Just What The Doctor Ordered

Mairi Beautyman -- Interior Design, 11/1/2005 12:00:00 AM

For a doctor's office, what motif could be more natural than the unadorned human body? So, at orthopedist Matthias Finkelstein's holistic treatment center in Berlin, the namesake principal of Mateja Mikulandra-Mackat covered the reception desk and an adjacent wall—a 260-foot-wide expanse—in enlarged black-and-white prints of a male nude. The subject, in a squatting position, signifies the agility that Finkelstein's bone and joint patients are striving for.

Besides emblazoning the face of the reception desk with images of the human form, the architect says she took additional cues from "movement and posture" in shaping the desk like a spinal column. The front curves slightly in, then out, before it wraps around to merge with the wall of the corridor. Overhead, a canopy in the same oak as the desk's counter follows a similarly serpentine path along a ceiling cutout lit by fluorescents.

Knowledgeable about health care from projects at her previous firm, Mikulandra-Mackat was excited when Finkelstein approached her to design a space that's definitely not what he calls "clinical white." Graduated shades of peach line the corridor, its progression marked by floor-to-ceiling fluorescent strips.

In the separate waiting lounge—at the base of the office's L-shape 1,600-square-foot plan—one wall clad in chocolate-brown plastic laminate and another painted apricot represent lessons the architect learned from Man Color Space, a book on the effects of color and light on human psychology. (Brown creates an enveloping mood; light orange encourages communication.) Pumpkin-orange leather covers the curved seats of Patricia Urquiola stools at the coffee bar and chairs at the café tables.

At the other end of the spectrum, the patient restroom is awash in cool tones. Blue, white, and dark brown glass mosaic tile clads the walls, while the floor's vinyl tile shimmers light blue. A floating oak vanity is anchored along a sidewall, and the Philippe Starck toilet is hidden behind a door of etched glass—a translucent material that Mikulandra-Mackat used several times to let light into the ground-floor space.

Breezy celadon drapery lets the sun shine into the two consulting rooms, where a gentle apple green covers the walls and the Urquiola chairs. Picking up on the springy atmosphere, a 7-by-10-foot print of cherry trees in full bloom glows against a light box installed opposite the windows. The wengé parquet—a switch from the joint-friendly resin that appears in most of the facility—provides a dark, earthy contrast, as does the oak of the desk and integral bookshelf.

The four treatment rooms are painted in varying intensities of orange. "Saturation correlates to the duration of the stay," says Mikulandra-Mackat. "A short-term patient gets a stronger color, whereas patients facing a long therapy are assigned a room with less intense color, to calm."

A repeating print by John Knill wraps the custom oak-topped reception desk of orthopedist Matthias Finkelstein's Berlin office; the ceiling is covered in perforated acoustic panels, while the floor is resin.

From top: In a consulting room, the floor changes to wengé parquet, and Patricia Urquiola's leather-covered Fjord chair backs up to a light box overlaid with a Yoshio Sawaragi print. Fluorescent strips and painted-steel coatracks flank the etched-glass door between reception and the waiting lounge. In the patient restroom, 1-inch-square glass mosaic tile clads the walls, and an etched-glass door separates the custom oak sink vanity from Philippe Starck's Starck 1 toilet.

From top: A custom iron pendant fixture illuminates the waiting lounge, where Urquiola's leather-covered stools pull up to a coffee bar built into a wall clad in plastic laminate and her chairs surround a custom stainless-steel table. Halogen fixtures are recessed in the reception desk's oak canopy.

FLOORING (RECEPTION, CORRIDOR, LOUNGE): STO. DRAPERY FABRIC (CONSULTATION ROOM): CRATION BAUMANN. FLOORING: TEKNO. CHAIR (CONSULTATION ROOM), SEATING (LOUNGE): MOROSO. WALL TILE (RESTROOM): BISAZZA. FLOOR TILE: AMTICO INTERNATIONAL. TOILET: DURAVIT. BASIN: ALAPE. CUSTOM PENDANT FIXTURE (LOUNGE): MAWADESIGN. WALL LAMINATE: WILSONART INTERNATIONAL. CEILING PANELS: KNAUF. MILLWORK: TISCHLEREI GERHARD DROGOIN. LIGHTING CONSULTANT: ETS. SITE MANAGER: JRN GRNERT.

Comment
RSS
Reprints/License
Print
Email

Share this on
Facebook
LinkedIn
Twitter

Talkback
Related Content
»MORE

Advertisement
More Content
  • Photos

On the Phone

From the Magazine:
Gensler dialed up bright color for Nokia in Silicon Valley--and the IIDA answered with an award.
+ Read the Article

Just for Kids

From the Magazine:
Two schools in the southern German town of Tuttlingen share this student center, one of the few that's both freestanding and purpose-built.
Firm: Heinisch Lembach Huber Architekten
Site: Tuttlingen, Germany
+ Read the Article

A Cinematic Moment

From the Magazine:
In Vila do Conde, Portugal, a mansion from the 1500's now houses the Saint Roch Solar Gallery cultural center, as well as a dormitory for the Superior School of Industrial Studies and Managment.
+ Read the Article