ADVERTISEMENT
You will be redirected to your destination in 15 seconds.
Subscribe to Interior Design
Comment
RSS
Reprints/License
Print
Email

Share this on
Facebook
LinkedIn
Twitter

Barn Free

Elizabeth Blish Hughes -- Interior Design, 10/1/2006 12:00:00 AM

Aliens have landed in Northern California, and they like cows. That would be a reasonable assumption to make when the high-efficiency metal halide lights glow through the roof and walls of this reconstructed barn by Kennerly Architecture & Planning. Set in a hilly coastal pasture, the building can look like a spaceship at night—a vision that gets even wilder when the fog rolls in.

Elegantly earthbound by day, the barn serves as a photography studio and entertaining space as well as continuing to store agricultural equipment. When the owners, who live in the property's 1870's farmhouse, approached principal Owen Kennerly, they were hoping to retrofit an existing barn, circa 1900.

The project hit its first snag when Kennerly realized that the barn was too dilapidated to save. He opted for rebuilding, which skirted strict constraints on purely new construction while allowing him to incorporate 40 percent of the siding and 30 percent of the floor planks from the original barn in his 2,400-square-foot structure.

Salvaging as much as possible was a caveat provided by the eco-sensitive owners. And the surrounding trees—cedar, eucalyptus, and redwood—had to be preserved simply "because they are trees," Kennerly recalls. He'd also need to employ energy-conservation strategies, including daylighting.

To improve the natural light, he began by reorienting the structure by 90 degrees. This was tricky, as the barn had to fit into a pocket created by the trees as they'd matured—while still taking advantage of their late-afternoon shade. The property's subsurface drainage pattern couldn't be disturbed either, essential neighborliness in an area of family farms and ranches. Kennerly accomplished this thanks to a foundation of drilled concrete piers with grade beams.

He then laid a 4-inch-thick concrete slab floor, which retains night's chill to modulate daytime interior temperature spikes during the searing dry season. Conversely, heat absorbed by the floor during the day warms the barn at night. For the rainy season, Kennerly installed in-floor hydronic water tubes. The radiant heat helps maintain a comfortable temperature at ground level, so the owners can keep the thermostat a few degrees lower, despite the 30-foot ceiling.

The photographer-owner's directive to admit as much light as possible meant no solar panels on the roof. Most of it is translucent textured polycarbonate, which cuts the sun's direct rays just a little; if the photographer needs more control, he can raise and lower a set of muslin sails.

Translucent polycarbonate reappears on the south wall. On the north wall, a transparent version of the material faces a picturesque stand of eucalyptus trees. Kennerly initially worried about overheating, but an analysis of the panels' thermal performance suggested that installing two layers, with 12 inches between them, would create effective insulation.

The mix of polycarbonate, old-growth redwood siding, and corrugated metal provides low-cost textural interest to the exterior. And Kennerly feels that the project advances the expressive and functional possibilities of agricultural buildings. Take the absence of eaves on each gable—a move that simultaneously preserves modernist lines and discourages pesky barn swallows.

From top: Turning this Northern California barn into a photography studio and entertaining space involved preserving mature trees to prevent erosion during the wet season and to keep the interior cool during the summer. The 79-acre property's original barn, circa 1900, was dismantled to prevent collapse.

Clockwise from top: Pre-engineered open-web structural frames utilize 25 percent less steel. On each gable, an industrial fan circulates air. Controlled by mechanized pulleys, muslin sails regulate natural light. The staircase incorporates old-growth redwood planks from the original barn.

Opposite: Eero Aarnio's Bubble chair hangs in the loft, near a wall comprising two layers of polycarbonate.

From top: A door of salvaged redwood slides away to reveal steel-framed glass pivot doors. As the siding's steel-copper alloy oxidizes, it forms a weather barrier. The lower part of the barn still houses farming equipment.

CHAIR: ADELTA. POLYCARBONATE: PALRAM INDUSTRIES. STRUCTURAL FRAME: PERKA BUILDING FRAMES. STRUCTURAL ENGINEER: LEVEL ENGINEERING. MEP: PETER ALSPACH. GENERAL CONTRACTOR: FAIRWEATHER ASSOCIATES.

Comment
RSS
Reprints/License
Print
Email

Share this on
Facebook
LinkedIn
Twitter

Talkback
Related Content
»MORE

Advertisement
More Content
  • Photos

On the Phone

From the Magazine:
Gensler dialed up bright color for Nokia in Silicon Valley--and the IIDA answered with an award.
+ Read the Article

Just for Kids

From the Magazine:
Two schools in the southern German town of Tuttlingen share this student center, one of the few that's both freestanding and purpose-built.
Firm: Heinisch Lembach Huber Architekten
Site: Tuttlingen, Germany
+ Read the Article

A Cinematic Moment

From the Magazine:
In Vila do Conde, Portugal, a mansion from the 1500's now houses the Saint Roch Solar Gallery cultural center, as well as a dormitory for the Superior School of Industrial Studies and Managment.
+ Read the Article